The Hanna Holborn Gray Fellowships offer funded independent research in the humanities. We're highlighting the research of this year's fellows in a series of online profiles.
Xenya Currie '24
Major: Literatures in English
Minor: Philosophy
"Paradigms of Repression in Middlemarch"
Abstract: My project examines George Eliotās 1871ā2 novel Middlemarch with an attention to repression in the text. I propose that Middlemarch can be read as depicting protagonist Dorothea Brookeās trajectory from one paradigm of repression to another. Specifically, I argue that she begins the novel in a paradigm of willed and voluntarily enacted repression, drawing from Victorian scholar John Kucichās articulation of repression as self-denial and Friedrich Nietzscheās notions of the will to power and the figure of the ascetic priest. After her uncanny encounter with Roman Catholicism on her honeymoon, however, she moves towards a more Freudian paradigm of repression, in which the return of the repressed is inevitable. This new paradigm offers her increased psychological health, greater somatic incorporation, and makes room for the possibility of genuine noncompetitive sympathy. In this way, I suggest that Middlemarch can be understood as prefiguring the Freudian understanding of repression, the uncanny, and the inevitability of the return of the repressed before Sigmund Freud himself, who published āThe Uncannyā in 1919, thereby situating George Eliot in the intellectual prehistory of Freud.
Was there anything surprising about the work you did?
The way that my argument evolved over the course of the summer! I went into my project with an initially clear sense of how I thought my argument would unfold, but the text surprised meāand I gained a new understanding of itāas I worked on it over the summer. The support of my faculty advisor, Professor Chloe Flower, was absolutely indispensable during this evolution and throughout the summer for enabling me to make the intervention that my paper ultimately did.
How will you use your research in future studies?
Iām currently building on my Hanna Holborn research for my senior thesis in the English department. There were many considerations Iād hoped to include in my Hanna Holborn Gray paper but ultimately had to exclude due to length, so Iām excited to have the opportunity to expand my discussion further. Specifically, I plan to add to my discussion of Eliotās prefiguration of Freud and propose a reading of Middlemarch as a repressed form of transubstantiation for Dorothea. My experience with this independent research has also invigorated and empowered me in terms of articulating my academic interests as pertaining to the intersection of religion and literature, an area I hope to pursue further with graduate study.
How did you choose your topic?
While my academic interests generally revolve around the intersection between religion and literature, when I first read George Eliot's 1872 novel Middlemarchāon the recommendation of my wonderful faculty advisor Professor Chloe FlowerāI felt like I was looking into a mirror. My fascination with Middlemarch and its depiction of religiosity and repression led me to write all of my assignments in ENGL 250: Methods of Literary Study with Professor Flower on Middlemarch, including a potential thesis proposal which eventually became my HHG proposal.
The Hanna Holborn Gray Fellowships offer funded independent research in the humanities. Each summer, Ā鶹AV awards up to 15 students a summer fellowship of $4,500 to undertake an independent research project in the humanities or humanistic social sciences. The research may either be the beginning of the senior thesis or a project that stands alone, but is relevant to their intellectual interests and must be supported by a faculty advisor.